by Reyes Ramirez
Photo by Romeo Harrell
trilling from
the secret limbs
of coronary trees
for drink, heat
& desire are
our mutual oppressors.
the waxy hands of Houston’s air
cup our bodies
as though guarding
the last ember from
the last fire.
oh how it would
feel to strip my skin
from the maize-yellow meat
underneath, spiraling
vapor escaping.
a lid sliding off the pot’s
rim gargling
honeycomb tripe,
snakeskin empapado
with fever sweat.
i’ve often mistaken
their mustardy exoskeleton,
abandoned like a truck
snuffed by weeds
along a highway,
for living things.
how could i?
i’d leave my ghost behind,
too, if the rest of me climbed
a tree to ululate
my frothing organs
into the sky’s tongue.
if your song were translated,
would i be able to name
the color grains embody
in a heaving field
as sunlight died,
rebirthed, glowered, &
died again? i look up
at a branch.
my ears echo
with the desire
to scream & not be seen.
Reyes Ramirez is a Houstonian, writer, educator, curator, and organizer of Mexican and Salvadoran descent. He authored the short story collection The Book of Wanderers, a 2023 Young Lions Fiction Award Finalist, and the poetry collection El Rey of Gold Teeth. His latest curatorial project, The Houston Artist Speaks Through Grids, explores the use of grids in contemporary Houston art, literature, history, and politics. Reyes has been honored as a 2020 CantoMundo Fellow, 2021 Interchange Artist Grant Fellow, 2022 Crosstown Arts Writer in Residence, 2023 Intercultural Leadership Institute Fellow, 2023 Dobie Paisano Fellow, and awarded grants from the Houston Arts Alliance, Poets & Writers, and The Warhol Foundation’s Idea Fund.
Romeo Harrell is a photographer based in Houston, Texas, and centers his work on portrait photography. He has been photographing since 2015 and makes experimental works, often using irregular angles and concepts.